$6,995.00 inc. GST
The JL AUDIO Fathom F110V2 is small fast and goes deep, all the things you want in a high-performance subwoofer for smaller rooms. Download the info sheet at the bottom of the page for more information or please get in contact with our friendly staff. For best performance as with any subwoofer, Sydney Hi-Fi Castle Hill recommends at least two subwoofers to maximise bass response.
The challenges associated with designing high-output, compact subwoofer systems can be daunting. In most cases, designers sacrifice low-frequency extension or output capability in order to keep a design acceptably small. The Fathom® subwoofers sacrifice nothing, thanks to the
dynamic advantages of their proprietary JL Audio drivers. These exceptional woofers allow for a true subwoofer passband and very high output while keeping distortion well below audible thresholds. To extract full benefit from the excursion envelope of its woofer design, each
Fathom® employs an uncommonly powerful switching amplifier with a large toroidal transformer and a patented circuit, designed to enhance control and fidelity. The compact design and conventional form factor of the Fathoms apply beautifully to most home theatre applications, including built-in designs. Front-mounted controls make them comfortable to set up and adjust, while JL Audio’s powerful DSP engine and exclusive Digital Automatic Room Optimization makes sure that response is smooth, even in challenging rooms. As the smallest subwoofer in the Fathom lineup, the f110v2 is ideal for smaller rooms and installations requiring an unobtrusive solution that delivers world-class low-frequency performance.
JL AUDIO Fathom F110V2 Key Information:
General Spec:
| Enclosure Type | Sealed |
| Enclosure Finish | Black Gloss |
| Frequency Response (Anechoic) | 27 – 111 Hz (±1.5dB) -3 dB at 25 Hz / 120 Hz -10 dB at 19 Hz / 155 Hz |
| Effective Piston Area (Sd) | 60 sq in / 0.0387 sq m |
| Effective Displacement | 160 cu in / 2.6 L |
| Amplifier Power | 1.1 kW RMS short-term |
| Power Mode(s) | Off, On or Automatic (Signal-Sensing) |
| Light Modes | Off, On or Dim |
Signal Processing:
| Unbalanced Inputs | Stereo or Mono (two RCA jacks) |
| Balanced Inputs | Stereo or Mono (two female XLR jacks) |
| Speaker/High-Level Inputs | N/A |
| Input Grounding | Isolated or Grounded |
| Input Modes | Master or Slave |
| Level Control | Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
| Filter Mode(s) | Low-Pass |
| Filter Slope(s) | 12/24 dB/octave |
| Filter Frequency Range | 30 Hz – 130 Hz |
| Filter Defeat Function | Yes |
| Polarity | 0 or 180 degrees |
| Phase | Variable, 0 – 280 degrees |
| Extreme Low Frequency (E.L.F.) Trim | Variable, -12 dB to +3 dB at 28 Hz |
| Line Outputs | N/A |
| Output to Slave | Balanced (one male XLR jack) |
| Calibration Mode | Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Physical Specifications
| Width (W) | 328 mm |
| Height (H) | 397 mm |
| Depth (D) | 439 mm |
| Net Weight | 31 kg |
| Note: Height dimensions include feet. | |
Download Infosheet HERE
