The JL AUDIO Fathom F113V2 displays reference output levels of sub-bass that simply boggle the mind for such a small enclosure. The F113V2 is suitable for any size of room. For best performance as with any subwoofer, Sydney Hi-Fi Castle Hill recommends at least two subwoofers to maximise bass response.
The challenges associated with designing high-output, compact subwoofer systems can be daunting. In most cases, designers sacrifice low-frequency extension or output capability in order to keep a design acceptably small. The Fathom® subwoofers sacrifice nothing, thanks to the
dynamic advantages of their proprietary JL Audio drivers. These exceptional woofers allow for a true subwoofer passband and very high output while keeping distortion well below audible thresholds. To extract full benefit from the excursion envelope of its woofer design, each Fathom employs an uncommonly powerful switching amplifier with a large toroidal transformer and a patented circuit, designed to enhance control and fidelity. The compact design and conventional form factor of the Fathoms apply beautifully to most home theatre applications, including built-in designs. Front-mounted controls make them comfortable to set up and adjust, while JL Audio’s powerful DSP engine and exclusive Digital Automatic Room Optimization makes sure that response is smooth, even in challenging rooms. The f113v2 is our largest single-driver Fathom® and combines prodigious output capabilities with outstanding finesse and low distortion. A pair of f113v2’s will satisfy the most demanding home theatre or pro studio applications.
JL AUDIO Fathom F113V2 Key Information:
General Spec:
Enclosure Type | Sealed |
Enclosure Finish | Black Gloss |
Frequency Response (Anechoic) | 20 – 86 Hz (±1.5dB) -3 dB at 18 Hz / 127 Hz -10 dB at 16 Hz / 154 Hz |
Effective Piston Area (Sd) | 107.35 sq in / 0.0693 sq m |
Effective Displacement | 386 cu in / 6.3 L |
Amplifier Power | 3000 W RMS short-term |
Power Mode(s) | Off, On or Automatic (Signal-Sensing) |
Light Modes | Off, On or Dim |
Signal Processing:
Unbalanced Inputs | Stereo or Mono (two RCA jacks) |
Balanced Inputs | Stereo or Mono (two female XLR jacks) |
Speaker/High-Level Inputs | N/A |
Input Grounding | Isolated or Grounded |
Input Modes | Master or Slave |
Level Control | Reference (fixed gain) or Variable, from full mute to +15dB over reference gain |
Filter Mode(s) | Low-Pass |
Filter Slope(s) | 12/24 dB/octave |
Filter Frequency Range | 30 Hz – 130 Hz |
Filter Defeat Function | Yes |
Polarity | 0 or 180 degrees |
Phase | Variable, 0 – 280 degrees |
Extreme Low Frequency (E.L.F.) Trim | Variable, -12 dB to +3 dB at 25 Hz |
Line Outputs | N/A |
Output to Slave | Balanced (one male XLR jack) |
Calibration Mode | Digital Automatic Room Optimization (D.A.R.O.), incudes laboratory-grade microphone |
Physical Spec:
Width (W) | 419 mm |
Height (H) | 489 mm |
Depth (D) | 489 mm |
Net Weight | 60 kg |
Note: Height dimensions include feet. |
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